Tuesday, 22 February 2011
Bianca Brunner
'With digital and 3D technology now the norm, can unaltered, analogue photographic prints still seduce, using only the basic perceptive trick of replicating a three-dimensional space in two dimensions? This small but well-chosen selection of photographs by Swiss-born artist Bianca Brunner pleasingly shows how they indeed can, simply by both representing and yet confusingly misrepresenting light, depth, solidity and surface.' time out
Susan Collis
One of my favourite artists
'Collis' practice involves a subversion of time frame and visual perception through the manipulation of everyday objects. In the piece 'Paint Job', what initially seems like a collection of careless splashes and stains upon the fabric of utilitarian worker's overalls are, on closer inspection, meticulously stitched marks replicating the accidental and spontaneous moment. Further to this, Collis enjoys playfully positioning the works in overlooked areas of an exhibition space, to heighten the potential for an initial misreading. We, the viewer, are then forced to rewire our visual and mental understanding of a particular mark, thus elegantly extending our viewing experience.'
Susan Collis represented by Seventeen Gallery-London
http://www.seventeengallery.com/index.php?p=2&id=16&iid=0
'Collis' practice involves a subversion of time frame and visual perception through the manipulation of everyday objects. In the piece 'Paint Job', what initially seems like a collection of careless splashes and stains upon the fabric of utilitarian worker's overalls are, on closer inspection, meticulously stitched marks replicating the accidental and spontaneous moment. Further to this, Collis enjoys playfully positioning the works in overlooked areas of an exhibition space, to heighten the potential for an initial misreading. We, the viewer, are then forced to rewire our visual and mental understanding of a particular mark, thus elegantly extending our viewing experience.'
Susan Collis represented by Seventeen Gallery-London
Rock bottom riser
2007
6 meters installed
Mother of pearl gemstones
Waltzer DETAIL
2007
127.5 x 37 x 11 cm
Wooden broom, opals, turquoise, garnets, seed pearls, mother of pearl, black diamonds, white diamonds, fresh water pearls, coral, black onyx, marcacite.
Tony Amore
2009
20 x 24 x 12 inches
Biro inks and pencil on paper construction
Made good (DETAIL)
Length 27 cm
Coral, black onyx, 18 carat white gold (hallmarked), diamond, silver. Edition of 10
http://www.seventeengallery.com/index.php?p=2&id=16&iid=0
pattern and paint
pattern/painting/techniques
Hugh Scott-Douglas
http://hughscottdouglas.com/index.php?/ongoing/work/
Bridget Riley
http://www.karstenschubert.com/browse/_Bridget%20Riley,21/
Gallery: http://www.karstenschubert.com/artists/
Sunday, 20 February 2011
pig in a poke
a collection of small findings. WELCOME, come on in...
-a pig in a poke: always inspect an item before you buy it!-
-a pig in a poke: always inspect an item before you buy it!-
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